#Indie games of 2016 update
#Indie games of 2016 software
#Indie games of 2016 Ps4

There was no other game quite like Bound in 2016 вЂ“ and no other soundtrack like it, either. Part of its dreamy magic is surely down to Kiev artist Heinali, real name Oleg Shupdeiko, whose blend of gentle piano motifs and pulsing, arpeggiating synths mirror immaculately the gameвЂ™s sense of intrigue, nostalgia and wonder.

#Indie games of 2016 Ps4

PS4 exclusive Bound is a rare gem of a game вЂ“ set within the mind of a woman revisiting her childhood memories, you play a dancer pirouetting her way through a vivid, beautifully rendered hinterland.

#Indie games of 2016 update

Nightgate is basically just an update on the steady hand buzzer games youвЂ™d find at a funfair, but the score pulses and breathes in a way that has you convinced you really are exploring the vast insides of a sinister artificial intelligence. However, much of SemidomeвЂ™s incredible soundtrack taps into the same вЂ80s synth nostalgia as Kyle Dixon and Michael SteinвЂ™s Stranger Things score, using simple arpeggio loops and ambient moments to mirror the stark, lonely expanse youвЂ™re trying to escape. Set inside a living computer network in 2398, NightgateвЂ™s mesmeric, shifting environment is a combination of TronвЂ™s virtual world and the sleek augmented reality user interfaces of the near future. Stardew offers a much-needed chance to slow down, but itвЂ™s BaroneвЂ™s music that reminds us of the rewards in doing so. The brilliant Stardew Valley is a welcome escape for fans of the gentle simplicity of beloved RPGs Harvest Moon and Animal Crossing, and Eric Barone provides an apt musical accompaniment.Д«ringing to mind the quieter moments of Chrono Trigger, Barone offers us two hours of sparkling atmospheres that match the transcendental beauty players tap into while taking over the old family farm. Pass the Mountain Dew, lads, itвЂ™s gonna be a long night. You donвЂ™t exactly need James Blake whining you to sleep while youвЂ™re trying to obliterate a cyberdemon with a BFG9000 вЂ“ you need raucous post-White Zombie tech metal with some synth-y ambience thrown in for color. ItвЂ™s not subtle or measured by any means, and that works in the gameвЂ™s favor. Gordon did a cracking job on the score for last yearвЂ™s Wolfenstein: The New Order, a reboot of another of idвЂ™s beloved games, and he approaches DOOM with similarly breathless excitement.

#Indie games of 2016 software

It makes sense that id Software tapped composer Mick Gordon to produce the soundtrack to their eagerly-awaited DOOM sequel. WeвЂ™ve rounded up 10 of the best video game soundtracks of the year, from Mick GordonвЂ™s crunchy (and rollicking good fun) DOOM score to DisasterpeaceвЂ™s stunning blend of old and new on Hyper Light Drifter. ThatвЂ™s not to say this yearвЂ™s AAA titles have been lacking вЂ“ Uncharted 4, Dishonored 2, Final Fantasy XV and plenty of others had terrific soundtracks вЂ“ but they werenвЂ™t quite as gripping or as innovative as those that were appearing just beneath the surface. Interestingly however, as the mainstream has been caught up with navigating a new era and nurturing their flagship franchisesвЂ™ umpteenth installments, the most innovative developments in video game music have been on the indie circuit. But with the Oculus Rift, the Gear VR and SonyвЂ™s extremely popular headset for the PlayStation 4, weвЂ™ve suddenly hit a point where the dream of VR is quickly becoming a (ahem) reality. Remember the NintendoвЂ™s Virtual Boy? Exactly. Now, those of you whoвЂ™ve been gaming since before the internet was вЂњa thingвЂќ should know that VR has long been promised and never really been delivered. FACTвЂ™s crew of avid gamers, Scott Wilson, Al Horner, John Twells, Miles Bowe and Lewis Gordon, round up the best of the bunch.ДЄrguably the biggest development in gaming this year has been the democratization of virtual reality technology. ItвЂ™s been a big year for video games and a banner year for soundtracks.